That Drifting Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.
Looking back, we consider the TV landscape of the recent year, a handful of shows emerge not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final season began, it seemed as if it had at last found its groove. Then arrived an episode all about Seemaâs natural deodorant. Little surprise the showrunner announced this would be the last season. It ended on a low point; the lingering shot of Mirandaâs loo flooded with poo was just way too on-the-nose. Still, fans certainly found joy picking apart every single âwhat on earth?â moment. And as Carrie â once again single â danced around her palatial townhouse to Barry White, who couldn't let out a small sob?
The Kim Kardashian Drama
âIs Kim Kardashian an actress? Of course she canât.â
But that was practically the smallest of this drama's problems. The subject of a very rare zero star review, it was hard to know where to begin listing the flaws. The hilariously leaden writing? The mind-numbing veneration of wealth and consumption? The seemingly deliberate procession of cliches? Performances so poor they felt almost spiteful? Suffice it to say âeach and every oneâ and never speak of this show again. However, a second season has been ordered, so weâre probably going to have to.
AKA Charlie Sheen
Considering the restraining orders, domestic violence claims and parental failures, itâs reasonable to say Charlie Sheen has been a bad boy. Not youâd really have gleaned it from this three-part docuseries which chuckled along at Sheenâs various bouts of reckless excess while struggling to tell us anything we didnât already know. Rather, it felt as if this volatile personality was being indulged, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charming but dismissive narcissist.
The Iris Affair
Of course we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world â or annihilate all of humanity. We persevered out of pure love for its stars ⊠but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe ⊠in painfully slow-motion. That's what you call giving up the ghost.
MobLand
Dodgy figures convening in empty boxing gyms? The Prodigyâs Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.
Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didnât suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just really boring; a conflict over narcotics territory between various cockney rogues which felt rather simplistic.
With Love, Meghan
Considering the degree to which she grinds the gears of the nationâs ostentatiously enraged commentators, itâs temptingly easy to applaud the Duchess of Sussexâs televised forays into quaint lifestyle as intentional statements. But then you view them and are compelled to concede that in this case, they might have a point. Itâs like watching a lifestyle magazine animated; a poster for wine oâclock with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting âtipsâ youâll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.
Victoria Beckham
There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this documentary series opted not to explore them. Rather, the viewing was akin to reading a sales catalogue. She obviously has every right to resent what she describes as her âmiserable cowâ image. But sadly, she failed to do herself any helps with this cagey non-event of a series.
The Inheritance
It had the potential to be the next cultural phenomenon â except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: itâs even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt icky.
Mitchell & Webb Are Not Helping
Not good enough to be âunevenâ.
Given the smart inclusion of gifted younger comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isnât it. The subject matter needed to be handled sensitively. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.
Prime Target
We love the lead actor ⊠but did we believe him playing the greatest maths genius since, a man so intelligent heâs on the verge of a breakthrough that could ruin society? No! This international thriller about government agencies targeting â and eliminating â intellectuals frankly got more farcical by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.