That Drifting Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

Looking back, we consider the TV landscape of the recent year, a handful of shows emerge not for their brilliance, but for their notable failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive follow-up? Plagued with dreadful writing, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the final season began, it seemed as if it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the last season. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was just way too on-the-nose. Still, fans certainly found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this drama's problems. The subject of a very rare zero star review, it was hard to know where to begin listing the flaws. The hilariously leaden writing? The mind-numbing veneration of wealth and consumption? The seemingly deliberate procession of cliches? Performances so poor they felt almost spiteful? Suffice it to say “each and every one” and never speak of this show again. However, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence claims and parental failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any pity this series might induce should be saved for the people who have had to suffer close contact with this charming but dismissive narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its stars 
 but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe 
 in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy figures convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to accommodate baffling accents. But there were plenty of other problems. Mainly that it was just really boring; a conflict over narcotics territory between various cockney rogues which felt rather simplistic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as intentional statements. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with career, identity, self-worth. But for some reason, this documentary series opted not to explore them. Rather, the viewing was akin to reading a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the smart inclusion of gifted younger comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Instead, the series struggled painfully to find the right voice, lurching from strangely breezy, somewhat mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.

Prime Target

We love the lead actor 
 but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her actual psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was horrific imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the documentary-maker has a young daughter too.

Colleen Perez
Colleen Perez

A passionate writer and mindfulness coach dedicated to helping others find peace and purpose in everyday life.